GREENWILD
Reditelj: Nikolay Georgiev
Koreograf: Petia Yosifova
Tekst: Dimitar Atanassov
Učesnici: glumci iz trupe- Teatar-Laboratorija
Alma Alter
Trajanje: 75 min
Teatar:
Škola teatra pri Univerzitetu Sofija – nacionalnom Bugarskom univerzitetu - je osnovana 1968. Zbog ideoloških previranja kasnije je zatvorena. Nakon
više od 30 godina osnivač Nikolaj Georgijev
(učenik Grotowskoga), koji je uvijek bio u avangardi bugarskog eksperimentalnog teatra – otvara je ponovo.
Teatarska laboratorija "@lma @lter" istražuje i prodire unutar primarnog, esencijalnog izražajnog jezika teatra u kontekstu današnjice.
“@lma @lter” je sinkretizovan, kreativan, izrazito nekonvencionalan, otvoren, izazovan i također poznat kao „Živi teatar“. Filozofija i metodologija “@lma @lter” teatra se bazira na estetici, teoriji i praksi reformatora bugarskog teatra Geo Milev-a i vjerovatno je najbliži principima Grotowskovog „Siromašnog pozorišta“. Teatar-laboratorij “@lma @lter” je snažno interaktivan – gledaoci su aktivni učesnici u svim performansima. Svaki performans “@lma @lter” bi trebao biti različit od prethodnih,
jer je postavljen na principima „dešava se ovdje, sada, sa ovim ljudima“. “@lma @lter” je dobio priznanje u kulturnom životu zemlje kao jedinstveno mjesto gdje teatar nije „isproduciran“ već rođen, gdje se „stvari dese“ – kategorička alternativa (konvencionalnom) teatru u Bugarskoj.
Performans:
Krdo divljih konja gone ljudi. U planinama.
Štite svoju slobodu. Traže smisao u njoj. Kocka šećera za lijepo ponašanje ili dodir tvoje kože,
tvoje cijelo tijelo slobodno diše. Šta može biti vatrenije od tijela na vrhuncu svog stremljenja
za slobodom, da se oslobodi lanaca fizičkog ograničenja, i da brani svoje izvorno pravo da bude slobodno – kao vjetar, raj, mjesec, trava. Da osjeti „Greenwild“ zelenila i da se istopi u njemu...
Vrh je pod njihovim nogama. Nema bježanja.
Svako mora napraviti izbor – tamo, živ ali ovistan,
ili ovdje, slobodan ali proklet. Izabrali su slobodu, izabrali su smrt. Sretni i u vjeri – da će sresti svog Boga slobodni...
Predstava je u stilizaciji „plesnog pozorišta“, fizičkog teatra. Prihvatajući izazove, trupa ide ka svom višem cilju – sintetičkom, sinkretičkom, interaktivnom teatru. Živi teatar – u kojem nisu samo riječi, samo zvuk, samo pokret; već riječ-zvuk, zvuk-pokret, riječ-zvuk-pokret, osjećaji, uzbuđenje, impulsi... I mnogo ljepote. Unutrašnje ljepote. |
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GREENWILD
Director: Nikolay Georgiev
Choreography: Petia Yosifova
Text: Dimitar Atanassov
Participators: actors for the troupe of
Theatre-Laboratory Alma Alter
Duration: 75 min
Theatre:
The theatre school of Sofia University - the national Bulgarian university - is founded in 1968. Due to ideology considerations it is later shut down.
After more than 30 years it is restored by its
founder - the director Nikolay Georgiev (student of Grotowski), who has always been in the avant-garde
of the Bulgarian experimental theatre. The Theatre-laboratory "@lma @lter" penetrates into and researches the primary, essential theatre means of expression in the context
of the present day. “@lma @lter” is syncretic, creative, strongly unconventional, open, daring and is also known as “The alive theatre”. The philosophy and the methodology of “@lma @lter” is based on the aesthetics, theory and practice of the Bulgarian theatre reformer Geo Milev and probably is closest to the Grotowski’s “Poor theatre” principles. Theatre-laboratory “@lma @lter” is highly interactive - the audience is an active participant in all the performances. Each performance of "@lma @lter" should be different from the previous ones, because
it is set on the principle of "happenning here, now,
with these people". “@lma @lter” has won recognition in the cultural life of the country as a unique place, where theatre is not “produced”, but born, where "Things happen" – categorical alternative to the (conventional) theatre in Bulgaria Performance:
A stud of wild horses, chased by people. Up in the mountain. Protecting its freedom. Making sense of it.
A lump of sugar for good behaviour or feeling your skin, your whole body breathe freely. What could be more inflaming than a body in the peak of its striving to achieve freedom, to break the chains of physical constraint and to defend its original right to be free - like the wind, the heaven, the moon, the grass. To feel the "Greenwild" of the green and to melt into it...
The peak is beneath their feet. Nowhere to run. Each has to make a choice - there, alive but dependent, or here - free but doomed. They choose for freedom, they choose for death. Happy and believing - that they would meet their God free...
The play is in the stylistics of "dance theatre', of physical theatre. Accepting its challenges, the troupe walks towards its higher aim - the synthetic, syncretic, interactive theatre. the alive theatre - in which there
is not just words, just a sound, just a gesture. But a word-sound, a sound-gesture, a gesture-word, a
word-sound-gesture, i.e. feelings, excitement, impulses... And a lot of beauty. Inner beauty. |
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