Quartet

Autor: Heiner Muller
Reditelj-mentor: Jelena Kordić
Majstor svjetla: Zoran Corluka, Valentino Bošković
Ton Majstor: Mladen Andrijašević
Trajanje. 45 min

Podaci o mentoru:
Jelena Kordić, rođena 28. 02. 1979. Diplomirala glumu 2003.god u klasi Miralema Zupčevića pri ASU u Sarajvu.

Podaci o glumcu: Vanda Boban, rođena 18.08.1980. u Splitu. Diplomirala glumu u klasi Aleksandra Jevđevića i Ferida Karajice.

Sinopsis:
«Quartet» Hienera Mullera je izvorno, duodrama. Mertuil i Valmont se dokazuju i međusobno natječu kroz perverzne, seksualne igre iskušavajući svoju glad za «moći». «Muka je živjeti, a ne biti Bog, imati svijest ali ne i moć nad materijom», kaže Merteuil. Bavila sam se ekperimentalni radom, zanimalo me šta bi se desilo da Merteil ostavim samu i suočim ju s njom samom, dakle, uzela sam formu monodrame. U mom izvođenju, Merteuil iskazuje svoja osjećanja i svoju percepciju svijeta oko sebe i svoju glad za čovjekom koji je isti kao ona, destruktivan i poguban za okolinu. Šta se dešava kada sve ljuske otpadnu, jedna po jedna, kakvo se biće krije iza slojevitih nadmetanja, bježanja, manipulacije? I da li je takvo biće sposobno živjeti igdje drugo osim u «atomskom skloništu» koje si je samo izgradilo?
Posebno bih istakla svoj odnos prema «današnjem vremenu» u kojem sve postaje «dobro upakiran  proizvod» i u kojem se sadržaj sve manje tiče. «Quartet» kojim sam se ja bavila je kombinacija sadržaja i forme, jer, zar nije potpuni sadržaj taj koji stvarima i pojavama daje vrijednost, a forma je tu da se taj sadržaj upotpuni.

Quartet

Author: Heiner Muller
Director-mentor: Jelena Kordić
Lights: Zoran Corluka, Valentino Bošković
Sound: Mladen Andrijašević
Duration: 45 min

About mentor: Jelena Kordic, born on 28th 02.1979. Graduated acting on ASU Sarajevo, in class of Professor Miralem Zupcevic in 2003.

About actor: Vanda Boban, born on 18th 08.1980.
In Split. Has graduated acting in class of Aleksandar Jevdjevic and Ferid Karajica.

Synopsis:
Heiner Muller's „Quartet“is originally a double drama. Merteuil and Varmont are competing with each other through pervert sexual games, thus testing their hunger for „power“. „I am sick of living, and not being God, having conscience and not power over matter“, says Merteuil. I was engaged in experimental work, I was interested in what would happen if I left Merteuil alone and let her face herself, and therefore I used a monodrama form. In my act, Merteuil shows her emotions, her perception of world and her hunger for a man that is the same: destructive and lethal for his surroundings. What happens when all layers fall of, one by one, what kind of creature hides behind competition, running away, manipulation? And, is a creature like that capable of surviving anywhere else but the “atomic shelter” that it has built for itself?
I would especially point out my stand towards “today” in which everything becomes “well packed product”
and in which the substance matters all the lesser. “Quartet” that I was engaged in is a combination of form and substance, because, isn’t the substance the one that gives value to things and apparels, and the form is present to complete it.