KROZ

Koreografija: Jasmina Prolić
Zvuk: Leo Sarić
Kostimi: Belma Žiško
Igraju: Ajla Seperović, Alice Iannuzzi, Alma Hodžić, Dragana Seferović, Elma Selman, Jasmina Kazazić, Minela Spreco, Sabina Vejzagić, Samra Mlinar, Stefan Goldgruber, Stefania Kregel, Vlora Prizren, Zulejha Kečo.
Produkcija: Tanzelarija/European Cultural Foundation
Trajanje: 50 min

Sinopsis
“U ovom trenutku bivstvovanja me interesiralo da radimo na temu PROBIJANJA.
Osvrćući se na moj destetogodišnji stvaralački koreografski rad, konstatujem da ideja i želja da radim na temu PROBIJANJA nije nimalo slučajna i da je to samo jedan logični i mogu reći prirodni nastavak svih dosadašnjih ispitivanja tijela i njegovog odnosa sa bivstvovanjem. Šta je to probijanje i KROZ šta se mi to sve probijamo u životu i na koji način i kakvog to sve utjecaja ima na nas lično? Da li je to probijanje svjesno ili nesvjesno stanje? Kakvo tijelo postaje i kakav je uticaj i kako se tijelo ponaša kada se probija? Koje je to tijelo i na koji način se probija: kroz zrak,  kroz vodu....
Od samog začeća u majčinoj utrobi živo biće se konstantno probija. Dolaskom na ovaj svijet prošli smo kroz i ušli u, da bi nastavili opet put kroz i ušli u i išli do... Gdje se ide prolaskom kroz?... Da li se takvim prolaskom kroz nešto ide ka boljem ili gorem? Da li čin prolaska kroz je kraj ili početak nečega novog ili drugog? Šta nas to čeka kada se probijemo ili prođemo kroz?
Kroz šta? Kako? Zbog čega? Do čega?... Od rođenja do smrti čovjek je neprekidno u pokretu i u stanju probijanja. Probijanje vidim kao neprekidnu liniju, neprekidni pokret, kao jedno značajno stanje tijela da bi se išlo kroz život, u život, iz mladosti u starost iz života u smrt i opet po nekim vjerovanjima i dalje od smrti. (Jasmina Prolić)”

“Trebalo bi već jednom preći u krug svjetlosti kroz neka uska vrata, trebalo bi se vratiti iz tijela ovog golog u tijelo vječnosti... Uđi u mene jer ja sam ta vrata sjajna...” Mak Dizdar

Jasmina Prolić biografija
Rođena u Sarajevu 1976. Jasmina Prolić je počela plesati klasični balet sa 10 godina. 1991. je osvojila 3. mjesto na Nacionalnom Baletnom takmičenju Jugoslavije i postala je dijelom Sarajevskog Narodnog Pozorišta. Radi sa njima do početka rata u aprilu ’92. Kao izbjeglica u Zagrebu, prolazi prijemni ispit Nacionalnog Konzervatorija za muziku i ples u Parizu, te se seli tamo da slijedi savremeni ples. Za svoj finalni projekat ’96. kreirala je solo “Sarajevo, 25. april 10 sati ujutro ili zašto?” koji je dobio prvo mjesto na Takmičenju za mlade koreografe “Solo mio” u Albiju 1999.
Od 1996 do 1997. je član CNSMDP Junior Ballet-a, zatim radi kao interpretator u Francuskoj, Švicarskoj, Njemačkoj i Danskoj sa Jean Claude Gallota (1997-98), Maguy Marin (2000-2001), Joachim Schlomer (2001-2002), Palle Granhoj (2004), također je kreirala svoje prve koreografske komade kao “Dio života” (1998), ko-producirano od Sarajevska zima festivala i prezentovano na bijenalima mladih kreatora Europe i Mediterana u Rimu. 2002, prezentira Fra-Bo u Albi, Orleansu, Tuluzu, Mazametu, a zatim je Josef Nadj poziva u Orleans gdje je oformila svoju plesnu trupu Compagnie Jasmina 2002.

Tanzelarija biografija
Tanzelarija je neprofitna kulturna asocijacija osnovana 2005. godine i registrovana u BiH sa ciljem da promoviše savremeni ples u njegovim umjetničkim, terapijskim i obrazovnim aspektima u Bosni i Hercegovini, gdje se ovakav oblik umjetnosti i izraza teško može naći. (www.tanzelarija.org)

Za ovu izvedbu, učenici na odsjeku za balet u srednjoj muzičkoj školi u Sarajevu, učesnici radionica Tanzelarija i NOMAD plesne akademije, učenici iz Osnovne škole za muziku i balet Novo Sarajevo, kao i Voditelji odjela za balet su se udružili u 3 sedmice intenzivnih vježbi sa koreografom Jasminom Prolić, te kreirali ovaj jedinstveni komad koji spaja plesače jako različitih sredina i godina.

TROUGH

Choreography: Jasmina Prolić
Sound: Leo Sarić
Costumes: Belma Žiško
Dancers: Ajla Seperović, Alice Iannuzzi, Alma Hodžić, Dragana Seferović, Elma Selman, Jasmina Kazazić, Minela Spreco, Sabina Vejzagić, Samra Mlinar, Stefan Goldgruber, Stefania Kregel, Vlora Prizren, Zulejha Kečo.
Production: tanzelarija/European Cultural Foundation
Duration: 50'

Synopsis
In this moment of existence I was interested in exploring a theme of BREAKTHROUGH.
As I am looking back at my 10-years choreographical work, I can say that my wish to explore breakthrough is not coincidental and it’s only logical order of my explorations of body and its relations to existence. What is breakthrough and THROUGH what are we going in life, in which way, and how does it affect us personally? Is that breakthrough conscious or unconscious state? What does the body become and what kind of influence and how does it act when it is breaking through? Which body is it and how does it break through, through air, through water…
From the very beginning in mother’s womb body is constantly breaking through. By coming to this world we have past through and came in, only to continue our path through and come in and go to… Where do you get by going through? Does that passage strive to better or worse? Does that act mean end of something and beginning of something new? What is waiting when we break through or pass through?
Through what? How? Why? To where? From birth to death a man is constantly moving and in state of breaking through. I see breaking through as an unbreakable line, moving without stop, as the only meaningful state of body to go through life, from youth to old age, from life to death, and again by some beliefs further than death. (Jasmina Prolic)

Jasmina Prolic biography
Born in Sarajevo in 1976, Jasmina Prolic started dancing classical ballet at the age of 10. In 1991, she wins 3rd prize in the National Ballet Competition of Yugoslavia and becomes part of the Sarajevo National Theatre Ballet Company. She works with them until the beginning of the war in April 1992. As a refugee in Zagreb, she passes the entry exam of the National Conservatory of Music and Dance in Paris, and moves there to follow the contemporary dance programme. For her final project in 1996, she creates the solo “Sarajevo, 25 april 10 o’clock in the morning or why?” which wins 1st Prize at the Competition for young choreographers “Solo Mio” of Albi in 1999.  

Member of the CNSMDP Junior Ballet from 1996 to 1997, she then works as interpreter in France, Switzerland, Germany and Denmark with Jean Claude Gallota (1997-98), Maguy Marin (2000-2001), Joachim Schlomer (2001-2002), Palle Granhoj (2004), also creating her first choreographies, such as “A Part of Life” (1998), co-produced by the Sarajevska Zima Festival and presented at the biennale of young creators of Europe and the Mediterranean in Rome. In 2000, she presents  Fra-Bo in Albi, Orleans, Toulouse, Mazamet, before being invited by Josef Nadj to Orleans, where she started her own dance company Compagnie Jasmina in 2002.

Since then, she has produced several performances and regularly teaches contemporary dance workshops in schools, universities and hospitals as well as in connection with her company’s tours and residencies. She is associated artist of “Dance in the heart”, association for the promotion of dance in schools.

Tanzelarija biography
Tanzelarija is a non-profit cultural association founded in 2005 and registered in Bosnia and Herzegovina (BiH) aiming to promote contemporary dance in its artistic, therapeutic and educational aspects in Bosnia and Herzegovina, where this form of art and expression is hardly to be found. (www.tanzelarija.org)

For this performance, students from the Ballet Department of the Sarajevo Music High school, participants of Tanzelarija's workshops and of NOMAD Dance Academy, a student from the Elementary School for Music and Ballet Novo Sarajevo as well as the Head of the school's Ballet Department joined together during 3 weeks of intensive rehearsals with choreographer Jasmina Prolić, and created this unique piece which brings together dancers of very different backgrounds and age groups.