
ZATVORI OČI
Teatar:
Compagnie Kimera je nastao iz saradnje nekoliko nezavisnih umjetnika, da bi postao platforma za umjetničku saradnju u Francuskoj i na međunarodnom planu. Podržan vizijom umjetnosti koja uključuje nedisciplinarno/ne-disciplinovano i nesvrstano, Kimera promoviše kreacije, istraživanja i razmjene među različitim disciplinama: ples i pokret, teatar, muzika i vizualne umjetnosti, u kombinaciji sa savremenom književnošću.
Autor:
Nikolai Galen je britanac, nastanjen u Istanbulu, pjevač, pisac, glumac I muzički organizator.
Pjevao je I pjeva sa mnogim grupama (Kropparna, The Shrubs, Mecca, Infidel, Galen-Sadko, Galen-Klyushnikov, Black Paintings, Transsonance, Hel-Kugel & solo).
Glumio je u različitim produkcijama Panteatra: Nero, La Planque Aux Anges, Shadow Boxing, Krađa predstave i Pandorina kutija.
Njegova pisana djela uključuju I teksrove njegovih izdanja, samostalni performans Bog je dioničar o savremenoj Rusiji, o ljubavi I moći.
Studirao je glas, teatar I pokret I sa, između ostalih Angelom Caine, Richardom Roberts, Venice Manley, Bertom van Dijk, Nickom Nuttgens, Philippeom Gaulier, Ray Baskervilleom, I Pantheatre-om. Član je Roy Hart Teatra, Udruženja za Etnomuzikologiju, Internacionalnog Vijeća Tradicionalne, kao I Internacionalne Asocijacije za proučavanje Popularne Muzike. Na poziv Panteatra, Resonance FM (London), Centar za istraživanje Performansa (Aberystwyth) i MIAM-a (Muzički Odjela Istanbulskog Tehničkog Univerziteta) održao je različita predavanja o izvanrednom glasu u popularnoj I etno muzici. Piše za svjetski muzički magazin Roots.
Trenutno radi na filmskoj verziji Zatvori oči, I na djelu o politici.
Posjetite njegovu stranicu www.voiceofshade.nett
Sinopsis
Preko ciklusa od dvanaest scena u jedinstvenom prostoru, par živi svoj erotski odnos u različitim stanjim emotivne, prostornog i vremenskog razjedinjavanja.
Početak i kraj su slični ali ne i isti. Prije negoli slijede neku određenu naraciju, par skače iz scene u scenu, kao da im je atmosfera jednako zagušljiva u bilo kakvoj situaciji da se nađu.
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SHUT YOUR EYES
Theatre:
Compagnie Kimera was born from the collaboration of several independent artists, to become a platform for artistic encounters and collaborations both in France and internationally. Sustained by a vision of art which includes both the un-disciplinary/un-disciplined and unclassifiable, Kimera promotes creations, researches and exchanges among different disciplines: dance & movement, theatre, music and visual art, in combination with contemporary writing.
Author:
Nikolai Galen is British, living in Istanbul, singer, writer, actor and music organizer.
He has sung or sings with many groups (Kropparna, The Shrubs, Mecca, Infidel, Galen-Sadko, Galen-Klyushnikov, Black Paintings, Transsonance, Hel-Kugel & solo).
He has acted in various Pantheatre productions: Nero, La Planque Aux Anges, Shadow Boxing, Stealing The Show and Pandora’s Box.
His writings include the lyrics of his records, the solo performance piece God Is A Shareholder about contemporary Russia , already about love and power.
He studied voice, theatre and movement with, amongst others, Angela Caine, Richard Roberts, Venice Manley, Bert van Dijk, Nick Nuttgens, Philippe Gaulier, Ray Baskerville, and Pantheatre. He is a member of the Roy Hart Theatre, the Society for Ethnomusicology, the International Council for Traditional Music, and the International Association for the Study of Popular Music. At the invitation of Pantheatre, Resonance FM (London), the Centre for Performance Research (Aberystwyth) and MIAM (Music Department of the Istanbul Technical University) he has given a variety of lectures on extraordinary voices in popular and ethnic music. He writes for the world-music magazine Roots.
He is now working on a film version of Shut Your Eyes, and a play about politics.
Please visit his website www.voiceofshade.net
Synopsis
Over a cycle of twelve scenes in a single space, a couple live out their erotic relationship in various states of emotional, spatial and temporal disjunction. The beginning and end are similar but not the same. Rather than following any particular narrative, the couple jump from scene to scene, as if they find the atmosphere equally suffocating whatever the situation they find themselves in.
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